A Rising Tide: The Athens Music Scene Uplifts Everyone Involved

It’s no coincidence that Athens, Georgia is home to so many thriving artists. Iconic groups like R.E.M., The B-52s, and the Drive-By Truckers as well as less well-known (but equally loved) artists like Katie Pruitt and Daddy Upright all got their start as a part of the Athens music scene.

“The live scene [in Athens] is wonderful. It’s like, You can find everything from, like, big concerts to little niche bands… to basement shows,” says Atlanta-area local Madeline Willocks-Hodlick.

The diversity of the Athens music scene is one of its defining features. Not only does it host a wide range of events with musicians at all parts of their careers, but the community has artists from every genre. “Athens has a wonderful music scene with a wide mix of cultures and musical influences. ” Says Athens producer and drummer Shawn Collins. “I’ve worked with mainstream country, rock, indie punk/hardcore and alternative country bands from Athens and they all have the same love of performing live with their friends and being a part of the scene,” he explains. “The most common attribute has been their love of music. All music, not just what they are writing.”

The enthusiasm for music in Athens extends past the bands’ love of the art. Fans, artists, and venues work together to create a supportive environment for everyone involved.  “I immediately noticed the community in Athens where artists were supporting each other,” says Collins of his experience moving to Athens. “Rowdy shows at Tatsy World, Little Kings, The Roadhouse and the old Wild Wing Cafe in Athens were the best. The bands would ignore the setlist and invite friends up to sing and play along–never did that in the old rock bands. It was a new communal experience that changed my expectations of a performance.” 

This communal attitude extends to fans as well, notes Willocks-Hodlick: “There was this tiny show, it was just a lineup of local bands. And I freaking loved it because everyone there was just so kind… I actually fell over and then someone instantly started helping me up and asked me if I was okay. Like, total stranger.  I just love the culture around here around music.”

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The support and enthusiasm of the community helps artists improve their craft. Collins grew up playing music in New York and moved to Athens as an adult. “Everything from the bands we performed with, the people that worked at the venues or went to the shows and even the climate in Georgia was a welcome change,” he says. “Being a part of the Athens music scene… and meeting all of the musicians along the way had a huge impact on my drumming and production skills.”

“I just love the culture around here around music, because the people who are in it are in it to make it better.” After the show where a total stranger helped her up, says Willocks-Hodlick, “I’ve kind of treasured the Athens music scene a little more ever since.”

Creative Writing is a Core Skill, and Should be Taught As Such

By Fiona McGaraghan
Menlo-Atherton High School

“Ships at a distance have every man’s wish on board.” 

Almost every high schooler recognizes this iconic opening line from the novel “Their Eyes Were Watching God,” and many could write a great essay incorporating it. However, few could write a line like it. For how much school systems emphasize the analysis of creative works, they are remarkably apathetic towards actually teaching creative writing. Creative writing is equally as important as traditional writing and requiring creative writing would add considerable value to students’ education.

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 While many schools offer creative writing courses, they are elective courses–treated like a fun add-on to education and not a core discipline. This attitude ignores the fact that creative writing is an integral skill for many jobs, including ones where writing is primarily fact-based.

“Every writer, even if you’re a nonfiction writer, you have some elements within you that want to be creative,” says Piedmont Mass Communications Chair Joe Dennis. “I think creative writing has a strong impact in journalistic writing and nonfiction writing… When I was in college I was really close friends with a very excellent creative writer and she ended up taking a journalism class with me. Her influence in that class was so important because she helped people be more visual in their words and painting a better picture for people who were really well trained in writing facts… [she] really did a great job of embellishing the stories to make them come to life.”

The immersion in literature that a creative writing class offers gives students a new perspective on writing. “It’s experiential learning, and that’s something that I feel like a lot of people would benefit from,” says Madeline Willcocks-Hodlick, who took creative writing as a sophomore at The New School of Atlanta. 

Rose Klingsporn, a rising sophomore at Berklee College of Music who took creative writing in her senior year of high school, adds: “you’re doing a lot of reading of creative writing, and therefore you’re doing a lot of interpretation of creative writing. And that really helps in terms of general media literacy… a lot of English class is, like: these are the characters’ motivations. This is the character’s feelings. This is why they’re doing these things in the universe of the story. Creative writing is more [from] a technical perspective: why does this work? What technique are they using to make this poem good?” 

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Getting hands-on experiences is valuable for students’ academic growth as well as their confidence in applying their skills outside the classroom. Klingsporn explains, “I go to music school. I’m talking about art all the time, and it helps to have those tools where I’m able to engage with art on a critical and technical level.” 

While not everyone has the opportunity to directly apply creative writing skills to their jobs, they can still apply in everyday life. Klingsporn says, “Going into that class, I was like, I don’t really like poetry… Now I write poems for fun sometimes, which I never used to do.” 

Writing in free time can boost vocabulary, critical thinking and empathy. An English class that encourages students to write outside of class is valuable to students’ personal and professional life, but also to their academic success. While discussing the idea of creative writing as a core class, Willcocks-Hodlick predicted that, in addition to promoting success in English,  “Work for other classes would be higher quality, too, because people would fall into the norm of kind of forging their own path and being creative with every process.”

Creative writing class gives students the chance to see academia from a new perspective. At the prospect of adding Creative Writing as a core English class, Klingsporn lights up: “[It would give] students a different way to engage with writing,” she says, “and hopefully foster some creative spirits in kids, because we need more of that.”

Connection First: Morgan Hardy’s Journey through Journalism

By Fiona McGaraghan
Menlo-Atherton High School

Loneliness is a major fear among many groups of people, regardless of age or location. Moving away from home, ending up in an unwelcoming school or workplace, and losing loved ones are some of the hardest experiences people go through, and yet many spend little time thinking about how to connect more with those around them. Journalist Morgan Hardy, however, centers her whole career around connection.

Hardy has worked on a diverse set of projects within the field of journalism, from broadcast script writing to photography to documentaries. 

“The first thing that drew me to journalism was communication. And for me communication is learning about other people, and their cultures, and just them as a whole,” said Hardy, who minored in Sociology at UGA. “Sociology kind of opened the door for that and helped me learn more of the intricate details of that and helped me learn how different people communicate socially.” 

She brings this perspective into her work in the field, valuing an understanding between her and the interviewee as one of the most powerful tools for a successful story. As part of an emotionally charged documentary Hardy co-directed on the Apalachee High School shooting, she interviewed a Sheriff she didn’t have much built-in common ground with. “Pre-interview we were kinda just like ‘Oh, hey, what’d you do today? How was your day?’ Like, just like making them feel comfortable.” 

Looking forward, Hardy sees the connection between journalists and news consumers as the next step in the evolution of journalism. “I love how people my age are really starting to try to change the format, ‘cause we’re not just talking heads, we’re people…I just love to hear different voices within journalism… not just the voices that [journalists are] reporting on, but the reporter’s voices as well.”

With the aftermath of CoViD, the rise of social media, and AI causing all-time high levels of loneliness, Hardy’ vision for the future of journalism–centering a more personal field and product–is one we need more than ever.

When it comes to Hardy’s vision for her own future, it looks like her passion for journalism won’t be going anywhere. “So far, so good. I’ve been surprised by the doors that [journalism] can unlock and what I’ve learned,” she reflects. “I’m so glad I did this.”

Fiona McGaraghan

Hi, I’m Fiona! I’m a rising junior at Menlo-Atherton High School in Atherton, California where I perform, write, garden and play water polo. I’ve been a goalie for M-A’s varsity water polo team since freshman year and performed in multiple BearStage Drama productions including this year’s production of Chicago in which I played June. I am a huge music nerd and love to talk about singing technique, music production and songwriting. To relax I like to read, watch movies, crochet, hang out with my dog and repair clothes.

I grew up listening to my dad play music all the time: before he left for work, in the evenings, and before I went to sleep. It evidently rubbed off on me as I now sing, write music, and play piano and guitar. Music has been one of the major ways I’ve connected with people throughout my life, from sharing the interest with my dad, to forming lasting friendships with bandmates and bonding over favorite artists with new friends.

Of my interests, theater takes up the majority of my time. It’s been one of the most formative parts of my life and has taught me to improvise in high-pressure situations, balance enjoying myself with working hard and be more attuned to the needs of my mind and body. Some of my favorite productions to perform have included Hadestown and She Kills Monsters. The experiences I had in each were very different–in Hadestown (a modern interpretation of a greek myth about doomed lovers Orpheus and Eurydice), I was one ensemble member in a huge cast with an incredible tech and stage crew team behind us. Contrastingly, She Kills Monsters (a fantastical DnD inspired play set in the 90s) was a tiny production in which I played the lead, choreographed and taught all the fight sequences, and helped with various technical and stage design aspects. These opposing experiences taught me a lot: I learned how to work as a part of a large team and take up as little space as I could, and how to step into a leadership role and own my contributions to a project.

When I’m not rehearsing, training or studying I spend a lot of time thinking about sustainability. Visible mending is an important component of that because not only does it keep clothes out of the landfill but it strengthens peoples’ relationships with their wardrobes and acts as a physical conversation starter about environmentalism and the fashion industry. When I mend clothes, I hope the impact extends beyond my wardrobe (or that of whoever’s clothing I’m mending), and into my community and environment.

While I love to talk music, mending and performing, my favorite thing is to hear about other people’s passions. If you see me around, I’d love to hear about the parts of your life that have impacted you the most!